Though I might be yearning for a trip to Paris this summer, I have opted to take only a literary one, allowing Eleanor Brown’s newest novel, “The Light of Paris” (2016) to take me there. As a bonus, it is Paris of the Jazz Age, when the cafés of the Left Bank were buzzing with the creative energy of artists, writers and free-thinkers, and love was in the air.
Yet Brown’s story is narrated by Madeleine, an unfulfilled Chicago housewife, during 1999, the year her world is turning upside down. She tells us at the start, “I didn’t set out to lose myself. No one does, really.” Madeleine has been functioning for years as a model wife and social bee around town but is becoming deeply aware of how wrong this existence is for her. She understands she is living the life ordained by her mother, and now, by her judgmental husband Philip, an ambitious attorney, and she can no longer abide his demanding ways and pressure to have children “because that’s what people do.”
One evening, when Philip threatens divorce, tossing out scathing insults, Madeleine throws her things in a suitcase and drives south to her hometown, ostensibly to help her mother organize a move out of the big house she grew up in. Going through boxes in the attic, she finds her grandmother Maggie’s diaries, written during her stay in Paris in the 1920s. She reads that Maggie’s “coming out” at her debutante ball is a disaster, not the beginning of the life—a man, marriage, and children—that everyone expects for her. Since Maggie isn’t swept up by a suitor, her family encourages her to chaperone a younger cousin on a trip to Paris, but there, the young woman runs off with a lively group of friends she made on the boat, leaving Maggie alone.
In alternating chapters, we watch Madeleine and Maggie have their different journeys as women. Madeleine in current times reconnects with the artistic energy she had as a girl, long buried in the life she’s been expected to lead. Ignoring the still-critical eye of her mother, she finds new friendships, joy, and purpose in the middle of life. Her grandmother, Maggie, experiences the gift of independence, satisfying work, and love early in life before returning home to the demands placed on her by marriage and a family.
The light of Paris that streams through this lovely story turns out to show itself as the joy that comes with finding out what you really want in your life.